Feedback on work produced during a workshop is an important part of each learning experience. Useful feedback usually starts with identifying core strengths before a discussion about how to improve (no matter how successful images are) and identifying possible next steps.
Here’s a collection of participant images from our Antarctica Crossing The Circle 2013 Voyage and a quick note about each image’s core strengths.
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Ginette Vachon presents peak action in a way that elicits empathy
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Cathrine Spikkerud enlivens an other-worldy stage with quiet understated action
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Nancy Leigh animates an already dramatic stage with an energetic gesture
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Marilynn Nance uses rhythm and perspective to make an historic building even more interesting
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Robert Pettit use repetition to create a play between balance and imbalance
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Fusako Hara explores the transitions between realism and abstraction
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Benoit Feron uses line and texture to reveal natural processes
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Jodie Willard uses opaque layers a strongly felt sense of space through design
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Karin Pettit use transparent layers to portray depth
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Norm Larson uses abstraction to portray not just an external reality but also to suggest an internal state
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Celie Placzek uses number and proximity to suggest community
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Jim Brewster uses negative space to highlight important figures amid chaos
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Dennis Lenehan uses mass and volume to create dramatic contrasts
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Geir Morten Skeie employs a delicate palette to create a transcendant mood for a monolithic structure
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Joelle Rokovich expresses contrasts in scale to express size and distance with a minimalist efficiency
Find out about our 2014 Fly Antarctica Sail Across The Circle Voyage here.
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